After nearly a decade working as an architect I decided to pursue a path in photography. Choosing Le Corbusier as the subject of my first photographic series felt instinctive. His buildings have been documented countless times, but that wasn’t a deterrent—rather, it was an invitation to look again.
With limited time and a route shaped more by chance than strategy, I approached these sites not with the goal of producing definitive images, but with the freedom to capture what often goes unnoticed. Thus, instead of broad, iconic views, the series gravitates toward less expected moments—details of form, texture, light, and decay that reveal the buildings’ ongoing life and contradictions.
After nearly a decade working as an architect I decided to pursue a path in photography. Choosing Le Corbusier as the subject of my first photographic series felt instinctive. His buildings have been documented countless times, but that wasn’t a deterrent—rather, it was an invitation to look again.
With limited time and a route shaped more by chance than strategy, I approached these sites not with the goal of producing definitive images, but with the freedom to capture what often goes unnoticed. Thus, instead of broad, iconic views, the series gravitates toward less expected moments—details of form, texture, light, and decay that reveal the buildings’ ongoing life and contradictions.