Often taken during travel or in passing, Unedited work is usually handheld and guided by instinct—not staged. A response to space in the moment: raw, immediate, and personal.

Interpretation is at the heart of the negative film process, and there is no single way to represent the image. Thus, work in this category does not imply a lack of editing—rather, it resists refinement and avoids deliberate curation, embracing immediacy and imperfection. It offers space to step away from structured, commissioned work—to experiment, to observe, and to follow ideas without a fixed outcome.